






Taking the Sarod to New Depths
Paula: When did you begin your musical training and how difficult did you find learning Indian Music?
Rajeev Taranath: I began music when I was about four, when my father
gave me tabla drums to play with, mixing some learning
too. At six I was into formal education in vocal
music, which continued until I was fifteen or more. At
21+ I was accepted by Ustad Ali Akbar Khan as his
disciple on the sarod. Six years thereafter were spent
in hard practice. I learn from him even now; there is
no end.
Indian Classical Music, like any other classical
music, has challenges in technique programmed into the
learning of it. Then there are the challenges of
creativity, and so forth. I had to deal with them. I
continue to do so - a performing art is a constant
present.
Paula: Who are some of your musical influences?
Rajeev Taranath: Predominantly my guru, Ustad Ali Akbar Khan. Also, the
great singer of the 30s, Ustad Abdul Kareem Khan. I
listen to Pandit Ravishankarji with sharp attention
and reverance. Annapurnaji has cosiderable influence
on me; so does Nikhil Bannerji. Ashihsh Khan has had
considerable influence on some of my techniques.
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